Site plan, Terekhovo, Moscow

Above-ground entry pavilions: fiberglass panels over metal structure

Staircase down to the station Underpass & ticket vending Station entry Ticket sales At the turnstiles Escalators to platforms At the platform Waiting for tyhe train In the train car
"Terekhovo" - a new station for Moscow metro      

© A+M with Aaron Goldstein & Andrew Fu

with drawings from illustrated book "Moscow" by German Cheryomushkin, 1968

architecture, landscape, design

copyright © 2015

All rights reserved. Material contained within this website may not be reproduced, distributed, modified, transmitted, reused or adapted without the prior written permission of Austin + Mergold LLC.

How to create a unique local contemporary yet deeply meaningful experience in this station, embracing the limited budget and strict material palette guides the design approach? The proposal is to closely examine the properties of the tactile studded resilient tile demarcating the platform edges, and its iconic color, associated with metro across the globe – the “safety” yellow, orange, red. Can color alone carry meaning? How to make the subway experience unique, yet meaningful, relatable, even educational? This material (industrial linoleum, highly washable, flame- and slip-resistant, and resilient), texture, color is already used in many metro stations worldwide, and it is usually quite utilitarian. (This material is also available in Russian Federation, and in a variety of colors.) The idea that an underground station would be a world onto itself, where bold, uncommon color combinations are acceptable isn’t new - many world’s metros have this feature (Madrid, Stockholm). In 1930’s and 1950’s metro stations in Moscow too became unique worlds – where lavish materials and extravagant artistic techniques created incredibly colorful environment. How to reference this without repeating it?

The solution relies on two ideas. One is that large areas of studded color tile would produce a uniquely rich effect. The other – is that these fields of color can become deeply meaningful and relatable by referencing memories that are shared by nearly all Russian citizens. Every child in Russia learns “every hunter wants to know where sits the pheasant” as an easy way to remember the colors of the rainbow (from the first letter of each word). Terekhovo, once a village and hunting estate, can become a place where these colors and this abstract mnemonic device spring to life. With the help of mosaic inserts (like those found on some platforms of NYC subway, but using the digital mosaic layouts), the hunters (sampled from Vasyli Perov’s famous “Hunters at rest” from Tretyakov Gallery, also featured in every textbook on Russian literature) and pheasants will come to life, as names, colors and images. Simple idea – but complex possibilities! To supplement the platform experience, all signage will be based on the texture grid of the resilient tile, and any additional features (benches, railings, etc) will also be distinctly colored.

           

 

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